Connor Winfield TV production

The edit for this unit was

Our second shoot was at the Maidstone Studios in the car park. We were shooting at night for an interrogation scene, and night time would give the scene some more depth and feel.  We encountered quite a few problems during the shoot. On the day, at about 11:00, our actor who was going to be playing the villain dropped out, so we had to find someone else for a 8:00pm shoot. Fortunately, we were able to find someone by 12:30, which was a relief. The next problem we had was that as we needed it to be quite dark for our shoot, it was staying light for quite a while. due to this, we were late to start filming. This had a knock on effect with our schedule, as the actor who was playing our villain had to get a train back to London at 10:03. This problem, accompanied by some more technical problems with our equipment, forced us to cram a three hour shoot into just 50 minutes.  we just managed to do it, but if I were to do this shoot again, I would try and make sure that the equipment is

Our first day of shooting was at a hotel called Bridgewood Manor, located on Bluebell Hill in Kent. It is a luxury hotel, so we were lucky that we were given permission to film there, and were not charged anything either.  The room that we were given was quite small, but we managed to make it work by changing some camera angles, and also being creative with the angles. We were hoping to take roughly 2 hours to film what we needed, however there were some problems with the camera at the start of the shoot. Due to the lights in the room being what they were, the picture on the camera was looking to unnatural in its colour. We tried to use natural light, but the window in the room was quite small, so could not illuminate the room enough. When we decided to use the room's lighting, with the LED light panel that we had added to it with a slight yellow tinge, we eventually managed to make the display on the camera look right.  Due to there only being three of us in the group, along w

In order to improve my editing potential for this project, I needed to do some research into various editing techniques. This was interesting to do, as I had not done much advanced editing before, and I also found out the names of various cut types that I had used before, but did not know the name of them.  One website that I found useful was a website called The Beat, which was really helpful due to the information being in bitesized chunks, while including quite a lot of information, so was easy to read and understand. Plus, thew videos that accompanied the points made were very useful, and some of them included well known examples, like Fight club and Skyfall.  https://www.premiumbeat.com/blog/8-essential-cuts-every-editor-should-know/ I also watched some youtube videos to help me understand the editing process more, which was also very helpful. One idea that George Wing, the Director of the project, had was to have a transition to another shot within the eye of one of the cha

With this new transition unit, we had a choice on what to focus on for our project. However, we had to make sure that the role that we were in for the project was the role that we would be undertaking for our third year project.  We could either choose a piece of television or film to re create in our own style, or if we wanted to be a script writer, write a script, which could be something new, or added onto an existing piece, for example write a script for a new episode of a television series.  We had to base our project off of some already existing work to draw inspiration from it, such as techniques used in the shots or script, and try and use them in our own projects. The role that I wanted to undertake for this project was a camera operator, as I had grown to enjoy that role more due to my time on a camera for our 'As Live' Studio Production unit.  However, I asked several people if they needed a camera operator on their project, and they said that they had already go